




|
A
straightforward, accessible explanation of the realities of human
biological diversity *Human
Diversity Richard Lewontin
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Computer
crime is a complex problem in perverse behaviour compounded by
the incredible complexity of the technology * Fighting
Computer Crime: A New Framework
for Protecting Information Donn B. Parker
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"...we've
been here for only about a million years, we, the first species
that has devised the means for its self-destruction." * Earth
Time David Suzuki
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Who says they don't write
space operas like they used to ?
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The
future just isn't what it used to be * Luminous
Greg Egan |
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Science
fiction is about imagining the present through the lens of a speculative
future *Foundation
(trilogy)
Isaac Asimov
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*
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*
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Rendezvous
with Rama Arthur
C Clarke |
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fiction/novel/science-fiction
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"The
future just isn't what it used to be"
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Greg Egan Orion Millenium
1 857985 52 4 [9781857985528] RRP $24.95
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Reading science fiction
is to live in the hope that one day you'll pick up a book that's
as good as the ones you remember reading years ago. Sadly, it
rarely happens. Like many other areas of genre writing in contemporary
fiction, sf has moved into smaller and smaller sub-groupings of
factional interests amongst a broader, more fashionable drift
in subject matter, ambience and mis-en-scene. While some writers
may take an interest in the psychological aspects of media, (William
Gibson's Idoru is just one example), or attempt to recreate
the glory days of wide-screen sf with a more contemporary, cynical
edge, (Iain M. Banks's excellent Culture series), the future
just isn't what it used to be.
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The standard
future amongst the majority of contemporary sf writers is distinctly
dystopian. Very few writers, it seems, are interested in the optimistic
"hard science" of venerable authors like Arthur C. Clarke and
Issac Asimov. Nor do many seem capable of the psychological complexities
of Phillip K. Dick's best work. There are exceptions to these
trends but, by-and-large, contemporary sf is lost in a techno-miasma
of cyber-punk plot lines and the pointless rehashing of the best
bits from Blade Runner. Indeed, the overall feeling one gets from
dipping into sf from time to time is that change is made in tiny,
incremental steps. It's an evolution of sorts, but it's slow progress.
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All of which makes
reading Greg Egan's Luminous a fascinating insight into the state
of the art. A collection of short stories by Australia's most
successful science-fiction writer, Egan scored a coup against
the limited, dismissive Australian sf community by having his
novels and short stories published internationally. Egan's work
is currently enjoying acclaim in the US and the UK and this edition
of the book proudly displays a recommendation from no less an
authority than New Scientist.
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Turning his back on
the local scene that spurned him, Egan's book looks towards the
world with Australian locations appearing as exotic locales for
his stories. Credited with reinvigorating sf with hard science,
Egan's characters exist in dystopian near-futures where biotechnology
is fully integrated into daily life. Indeed, it's this curious
combination of locale and first person narrative that so radically
marks out Egan's writing from his international contemporaries.
His prose is like an sf Andrew McGahan and the stories read like
Praise with a hot-wired brain implant. His stories revel in the
banality of the everyday while investing his near-futures with
believable tech. It's easy to see why his work is garnering such
admiration from sf readers.
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Egan mixes old style
sf with the new, taking the approach of Clarke and Asimov of giving
his future bio-technology a credible context, but, like contemporaries
such as William Gibson, Egan gives his characterisation only the
most cursory of detail. The short story form in sf is not generally
known for its character development and, like the work of Egan's
cyber -punk alumni, character detail is lost in the plot. But
like the best sf, Egan's tales are also parables of the contemporary
world. Two examples of his stories illustrate his approach.
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In
Chaff, for example, Egan wittily rewrites Joseph Conrad's Heart
Of Darkness by way of Apocalypse Now, setting the
story in a near-future Central America. Pretty standard contemporary
sf stuff. Egan's rewrite of the journey upriver to kill Kurtz
becomes a mission to kill the jungle itself . The war against
drugs is no longer a war against individuals but an unwinnable
battle against hyper-nature.
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The authenticity of
race and its attendant notions of pc-ness are addressed in his
story Mitochondrial Eve and, tellingly, the location is none other
than the University of NSW. Egan takes a subtle look at claims
to racial purity from the perspective of a scientist researching
genetic heritage in the midst of a greater search for the original
Eve. Shades of One Nation, Indigenous groups and quasi-Nazi Aryan
purists are invoked in the struggle to claim one genetic origin
over another. It's a clever gambit that pays off. Although the
reader is left with no particular notion of who any of these characters
are, the story is a vehicle for a single, provocative idea. And
that's classic science fiction.
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Andrew
G. Frost.
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Other works by same
author:
- Quarantine,
HarperCollins 0061054232 RRP $ unavailable at time of writing
[9780061054235]
- Permutation City,
Orion Group UK 0752816497 RRP $14.95 [9780752816494]
- Axiomatic,
Orion Group UK 0752816500 RRP $14.95 [9780752816500]
- Distress,
Orion Phoenix 1857994841 RRP $14.95 [9781857994841]
- Diaspora,
Orion Group UK 0752809253 RRP $14.95 [9780752809250]
Other works on same/related
theme:
- Iain M. Banks, The
State of the Art, Sphere Orbit Legend 1857230302 RRP $17.95
[9781857230307]
- Bruce Sterling, Islands
in the Net, Ace Books USA 0441374239 RRP $9.95 [9780441374236]
- William Gibson,
Idoru, Penguin 0140241078 RRP $14.95 [9780140241075]
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